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I’m a big believer in stories, and I feel pretty lucky I get to tell them with the editorial team at Ave Maria Press. I also host a conversation about great writing over at my newsletter, Little Big Things. Here’s what it’s all about for me: I write and edit for the details that tell a story—for the little thing that gives us the big thing.

FoxxLike in this picture of Jimmie Foxx—isn’t there a story happening right here, in this split second? The details are full of drama if you look closely: the tensed muscles in his forearm, the left foot raised just a hair,  the pitcher’s arm spent in a follow-through, the ball tumbling through the air somewhere between competitors, the second baseman sliding into position at the last possible second to conceal the velocity of the pitch, the shadow of the catcher’s glove juuust beginning to extend behind the plate to snatch the curve or slider or heater…

So—does he catch it? Or does he watch the ball carry to the outfield after the crack of lumber on leather? And if Jimmie here stretches the hit into a double, will he make it home?

Isn’t that where we’re all running?

Like baseball, writing is a craft. I’m just trying to make contact to advance the runners—put the bat on the ball and put words on the page.

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